岸かおる、中川晶子「Insideかのじょのすみか」
日時：2025.4.5(Sat.) -4.29(Tue.) 10:00 -17:00
来場予約制 入場無料
開室日時は予約時のご希望に添います。
email:sagori.library@gmail.com
090-7137-9576 （サゴリ主宰、管理者：高雄きくえ）
会場： 加納実紀代資料室サゴリ 併設ギャラリー
〒732-0051 広島市東区光が丘2-53 レモンハウス1 階
展覧会の案内
《方物－2024亞洲當代雕塑展》
FangWu/方物－2024 Asian Contemporary Sculpture Exhibition
FangWu/方物－2024 Asian Contemporary Sculpture Exhibition
アジア現代彫刻展「FangWu∕方物」
場所：朱銘美術館(Juming Art Museum)、台湾
展示期間：2024年9月13日〜2025年1月12日
方物 – 亞洲當代雕塑展
Fāng Wù — Asian Contemporary Sculpture Exhibition
日時：2024/9/13-2025/1/12
場所：朱銘美術館 第一展覽室、本館
Juming Museum Gallery I、Main Building
策展人｜崔泰晚（CHOI Tae Man）、劉俊蘭（LIU Chu Lan）
藝術家｜詹士泰（CHAN Shin-Tai，臺灣）、陳淑燕（CHEN Shu-yen，臺灣）、赫立．多諾（Heri DONO，印尼）、傅中望（FU Zhong Wang，中國）、FX哈索諾（FX HARSONO，印尼）、金妲芭（KIM Dabal，韓國）、金維政（KIM Yujung，韓國）、岸かおる（KISHI Kaoru，日本）、李明學（LEE James Ming-Hsueh，臺灣）、劉柏村（LIU Po-Chun，臺灣）、羅懿君（LO Yi-Chun，臺灣）、大卷伸嗣（OHMAKI Shinji，日本）、申美璟（SHIN Meekyoung，韓國）、蘇詠寶（SO Wing Po，香港）、成東勳（SUNG Dong-Hun，韓國）、鳥光桃代 （TORIMITSU Momoyo，日本）、楊偉林（YANG Wei-Lin，臺灣）、李受徑（Yeesookyung，韓國）、潘娜潘．尤蔓妮（Pannaphan YODMANEE，泰國）、延伎栢（YUON Kibaik，韓國）
藝術家｜詹士泰（CHAN Shin-Tai，臺灣）、陳淑燕（CHEN Shu-yen，臺灣）、赫立．多諾（Heri DONO，印尼）、傅中望（FU Zhong Wang，中國）、FX哈索諾（FX HARSONO，印尼）、金妲芭（KIM Dabal，韓國）、金維政（KIM Yujung，韓國）、岸かおる（KISHI Kaoru，日本）、李明學（LEE James Ming-Hsueh，臺灣）、劉柏村（LIU Po-Chun，臺灣）、羅懿君（LO Yi-Chun，臺灣）、大卷伸嗣（OHMAKI Shinji，日本）、申美璟（SHIN Meekyoung，韓國）、蘇詠寶（SO Wing Po，香港）、成東勳（SUNG Dong-Hun，韓國）、鳥光桃代 （TORIMITSU Momoyo，日本）、楊偉林（YANG Wei-Lin，臺灣）、李受徑（Yeesookyung，韓國）、潘娜潘．尤蔓妮（Pannaphan YODMANEE，泰國）、延伎栢（YUON Kibaik，韓國）
https://www.juming.org.tw/mainssl/modules/MySpace/BlogInfo.php?xmlid=336931
Fāng Wù — Asian Contemporary Sculpture Exhibition2024/9/13-2025/1/12
Gallery I、Main Building
Organised by the Juming Museum, the Asian Contemporary Sculpture Exhibition "方物∕Fāng Wù" focuses on the concept of "matters" and explores the different meanings of "material" from the past, as well as the latent revelations and new perspectives they may offer. This exhibition features 20 artists from across Asia, including Japan, South Korea, Thailand, Indonesia, China, Hong Kong, and Taiwan.
The exhibition's emphasis on materiality originates from fundamental inquiries into the relationships between Earth and humanity, the world and existence, and nature and art. It encourages a re-examination of materials, not merely viewing them as a medium, material, or object used to express human ideas and intentions, but as entities with their own agency. This thinking responds to New Materialism, a material theory that critiques anthropocentrism in the Anthropocene discourse. However, the exhibition does not aim to discuss or validate New Materialism theories. Instead, it seeks to deconstruct the hierarchical dominance and subordinate logic between humans and matters by re-examining their complex relationships. Through this perspective, the exhibition aims to highlight the inherent relativity of all existences and to explore a redefinition of the identity of Asian contemporary sculpture.
Consequently, this exhibition places special emphasis on "locality." The division and opposition between the central/core and the local/periphery can be seen as products of human politics and the desire for dominance. Reflecting on anthropocentrism and the modern capitalist civilisation that has developed alongside it, the contemplation, exploration, representation, and practice of "locality" hold unique significance and value. They resist or even transcend this binary framework, inviting further thought on the potential interactions and the symbiotic "translocal" relationships within the entire ecosystem. The exhibition is thus aptly titled "方物∕Fāng Wù," where "方∕Fāng" in Chinese refers to locality and "物∕Wù" to matters.
The Chinese term "方物∕Fāng Wù," originating from ancient texts, initially referred to local products and carried connotations of description and identification. Drawing from this concept, the exhibition explores new perspectives on materials from a "local" standpoint, grounded in the principle of decentralisation. By critically examining and acknowledging the role and impact of materials, and by respecting the existence of all things, including the non-human world, the exhibition rejects a singular logic and embraces diversity. This approach to materials provides a necessary foundation and support for understanding and perceiving "locality." Furthermore, the heterogeneity, complexity, and dynamism of "locality" open up multiple pathways for the in-depth exploration and practice of materials. This multifaceted perspective paves the way for the development of new artistic concepts.
In summary, "Fāng Wù" reaffirms the active role of material existence from a non-anthropocentric standpoint. Through creative contemporary art experiments and poetic transformations, this exhibition views material as a physical interface allowing for horizontal linkage that transcends "boundaries", reconnecting the human and non-human worlds, as well as the material and immaterial realms.
Additionally, "Fāng Wù" highlights both the unique "locality" of Taiwan and Asia and the significance of "trans-locality". In the context of contemporary art's internationalisation, the exhibition revisits regional specificity, offering distinct interpretations, explorations, and imaginings of detected similarities and differences. It connects diverse regions, fostering cross-regional interactions and reflections.
"Fāng Wù" reflexively addresses Asian/ local sculpture that focuses on material as an expressive medium. The exhibition re-examines locality through materials' native connections, aiming to redefine the concept of "locality" itself. It explores how "local objects" can offer new perspectives on understanding the world, drawing insights from nature and the environment while showcasing their diversity and complexity to a global audience. Ultimately, "Fāng Wù" engages in reshaping material epistemology for a new era, potentially, and fundamentally, calling for a perspective that transcends materiality itself.
Curator｜CHOI Tae Man、LIU Chu Lan
Artists｜CHAN Shin-Tai、CHEN Shu-yen、Heri DONO、FU Zhong Wang、FX HARSONO、KIM Dabal、KIM Yujung、KISHI Kaoru、LEE James Ming-Hsueh、LIU Po-Chun、LO Yi-Chun、OHMAKI Shinji、SHIN Meekyoung、SO Wing Po、SUNG Dong-Hun、TORIMITSU Momoyo、YANG Wei-Lin、Yeesookyung、Pannaphan YODMANEE、YUON Kibaik.*in alphabetical order.
Artists｜CHAN Shin-Tai、CHEN Shu-yen、Heri DONO、FU Zhong Wang、FX HARSONO、KIM Dabal、KIM Yujung、KISHI Kaoru、LEE James Ming-Hsueh、LIU Po-Chun、LO Yi-Chun、OHMAKI Shinji、SHIN Meekyoung、SO Wing Po、SUNG Dong-Hun、TORIMITSU Momoyo、YANG Wei-Lin、Yeesookyung、Pannaphan YODMANEE、YUON Kibaik.*in alphabetical order.
Subsidised｜Ministry of Culture Republic of China(Taiwan)
「さいたま国際芸術祭2023」に合わせ開催される市民プロジェクト「創発 in さいたま」の企画の一つとして
「Women’s Lives 女たちは生きている―病い、老い、死、そして再生」というグループ展に参加します。
皆さまぜひご来場ください。
出品作家 8名（50音順）
一条美由紀ICHIJO Miyuki、菅実花 KAN Mika、岸かおる KISHI Kaoru、地主麻衣子 JINUSHI Maiko、須惠朋子 SUE Tomoko、本間メイ HOMMA Mei、松下誠子 MATSUSHITA Seiko、山岡さ希子 YAMAOKA Sakiko
キュレーター 小勝禮子 KOKATSU Reiko（美術史・美術批評）
会期 2023年10月9日（月）〜10月22日（日）／11:00〜18:00
会期中無休 入場無料
会場 さいたま市プラザノース ノースギャラリー
埼玉県さいたま市北区宮原町1-852-1 TEL: 048-653-9255
＊アーティスト・トーク
モデレーター：小勝禮子
出品作家全員による自作についてのリレー・トーク。
10月9日（月）
午後2時より 松下誠子、一条美由紀、岸かおる、山岡さ希子
午後4時より 菅実花、本間メイ、地主麻衣子、須惠朋子
